We all love getting to know the people behind the work, what inspires them and what drives their business. Today we hear from Becky Potter of ForgottenLand.
1. Please can you tell us a little bit
about yourself, and what drew you to your chosen craft?
I’ve been an active artist for about
twenty years now. When people ask me what kind of art I make, the most honest
answer is “Yes.” I’ve tried my hand at almost everything and most of them stick
(at least for a little while). I fall in love with materials, objects, ideas,
philosophies with equal amounts of ardour and just do what comes naturally! My
favorite medium, at the moment, is pen and ink.
2. Who taught you how to do your
craft, and how long have you been creating?
I spent the first several years of my
college art career making mostly giant oil paintings and tiny little prints. I
found the process and detail of acid etching to come more naturally than anything
I had tried previously, but was still enamoured with the drama and color of oil
painting. Throughout my graduate school experience, I became disillusioned with
my own skill, as I met far better painters than myself, and began the wonderful
process of experimentation. It was during this time, that I tried fabric
sculpture, embroidery and pen and ink for the first time. I left graduate
school as a “sculptor,” still favoring dramatically large works with
conceptually complicated explanations. During the intervening years, as my
living/working spaces grew smaller and smaller, my chosen mediums grew smaller,
more intricate.
I had formal art education, covering
the usual broad subjects of composition, seeing and thinking. My “craft,”
however, has been learned mainly through playing and experimentation. I had one
amazing teacher who told me “You can draw with anything,” and I think about
that no matter what I’m making with, be it thread, clay, rocks, fabric, paint
or ink.
3. How would you describe your style?
Are there any crafters/artists/designers that you particularly look up to?
I don’t really describe my style, as
I’m not necessarily seeking to imitate any particular already-named style… I
tend toward hyper-realistic depictions of elements in places or ways they are
not usually seen (i.e. mouths growing like flowers, STIs as animate creatures)
I am inspired on a daily basis by
artists, objects, ideas, books, weird facts (yesterday, someone told me why
pearls are formed, THAT one will have me going for a while!) The last time I
really studied particular artists was in graduate school and one of the most
powerful, to me, was Lee Bontecou.
4. Where do you seek inspiration from?
I rarely need to seek inspiration. I
feel like the flow of ideas and beauty is so ever-present, the challenge
becomes to play with as many ideas as I can find the time for!
5. What are you focused on right now?
Right now, having become gainfully
employed in another field I am in love with, I am enjoying the shift from
desperation-for-sales-to-make-ends-meet to being able to make whatever I want.
I am sticking with pen and ink, for the moment, and am starting a series of
larger drawings on the very broad theme of love. The first is called “My
Garden.”
6. What are your can’t-live-without
craft-room essentials?
A table: a nice, big flat one. Light!
Music, or a book-on-tape. Depending on the media, the tools of the moment!
7. How do you combat creative blocks?
I am lucky enough to rarely have
these, but when they do come, it’s usually due to a struggle with a particular
material. I find that switching to another medium or another idea for a while
can sometimes help. If I’m really frustrated, sometimes the best thing I can do
is to make something that doesn’t require as much from me, like an apron or a
weird piece of found-object jewelry or just go read a book!
8. Why should people buy handmade?
I don’t like to say that somebody
“should” do anything, I think that the reasons people make certain choices are
complicated and subjective. However, the reasons I buy handmade, are numerous!
Something that was touched by a person’s hands, shaped by inert materials into
a thing created both in the mind and with the heart, carries an amazing energy.
It seems, to me, to have a continuity with the history of humanity that an
object mass-produced, without the creativity of an individual, does not seem to
possess.
Also, I think that part of the desire
for objects (utilitarian, artistic, a combination) is desire for connection
with other minds and other beings… Something made by hand is so much more
satisfying, in that way, than something made by machine.
I also prefer to support individuals
than corporations; it seems like a more direct and honest way to trade. I like
to know where the things I use and cherish come from.
9. Anything else you would like to
share and where can we find you?
You can find Becky and her wonderful creations at
You can find my work on Etsy.
www.etsy.com/shop/forgottenland is my “art” shop, where I post drawings,
paintings, embroidery and my more involved jewelry. www.etsy.com/shop/rainbowecology
is my “crafty” store, where I list aprons, purses, other jewelry, etc. I live
in Denver, Colorado, quite possibly the perfect city ;)
Clare Martin - DreamDifferently
Another great interview! What fantastic art work, I love the "Alice in Wonderland" feeling of her work, "Presence".
ReplyDeleteWonderful interview! What an articulate lady! I love the artworks, as well. Beautifully done.
ReplyDeleteI love Spied Conversation! So nice to meet the person behind it!
ReplyDelete-- Jessica
A wonderful interview with a very talented lady!!
ReplyDelete